Ignore this post.
Mar. 19th, 2008 | 08:56 pm
location: Home
mood:
blah
this is for my homework.

Loren Maganja
Untitled
Photography
Through these photographs I was looking to convey the commonalities and differences in the extent to which people consciously project and image of themselves emotionally and physically, and to juxtapose this with a more severe, though unguarded look at each subject. I arrived at this idea through the refining, stylising and intellectualising of previous, more aesthetic ideas on the relationships between people and through the representation of place, their own selves. The medium employed was chosen as I have had prior interests in photography and chose subjects to whom I am close in order to accurately and effectively portray my intentions.
Nell Isabella Pearson
Watershed
Painting
My portraits seek to encapsulate the watershed between adolescence and adulthood. The bleeding, dribbling stains of watercolour reveal the fragility and tenderness of this defining segue. The sparse incomplete traces of paint on the breath of the raw, chalky paper are tailored to the incompletion of self, the nakedness of uncertainty. My intimate relationship with each subject rendered an honesty and sincerity in their faces, captured in moments of deep emotion and vulnerability.
Art is often a vicarious exploration of oneself. Where we traffic into subject matter, through tone and colour, the truth dribbles out obliquely. With watercolour, my aim is to reveal, and my practice is to conceal. On these occasions we enter art to hide within it. It’s where we go to save ourselves.
Loren Maganja
Untitled
Photography
Through these photographs I was looking to convey the commonalities and differences in the extent to which people consciously project and image of themselves emotionally and physically, and to juxtapose this with a more severe, though unguarded look at each subject. I arrived at this idea through the refining, stylising and intellectualising of previous, more aesthetic ideas on the relationships between people and through the representation of place, their own selves. The medium employed was chosen as I have had prior interests in photography and chose subjects to whom I am close in order to accurately and effectively portray my intentions.
Nell Isabella Pearson
Watershed
Painting
My portraits seek to encapsulate the watershed between adolescence and adulthood. The bleeding, dribbling stains of watercolour reveal the fragility and tenderness of this defining segue. The sparse incomplete traces of paint on the breath of the raw, chalky paper are tailored to the incompletion of self, the nakedness of uncertainty. My intimate relationship with each subject rendered an honesty and sincerity in their faces, captured in moments of deep emotion and vulnerability.
Art is often a vicarious exploration of oneself. Where we traffic into subject matter, through tone and colour, the truth dribbles out obliquely. With watercolour, my aim is to reveal, and my practice is to conceal. On these occasions we enter art to hide within it. It’s where we go to save ourselves.
